With the Fire on High by Elizabeth Acevedo

 

Magic

If you ask her to tell it, ’Buela starts with the same story.

I was a little older than Babygirl is now and always following ’Buela into the kitchen. I would sit at the kitchen table eating bootleg Cheerios or rice or something I could pick up with my fingers and shove into my mouth while she played El Gran Combo or Celia Cruz or La Lupe loud on her old-school radio, shimmying her hips while stirring a pot. She can’t remember what made that day different—if my pops, Julio, had been late in arriving on one of his yearly visits from San Juan, or if it’d been a time she’d gotten reprimanded at work for taking too long on someone’s measurements—but this particular day she didn’t turn the radio on and she wasn’t her usual self at the stove. At one point, she must have forgotten I was there because she threw the kitchen rag down on the floor and left. She just walked straight out of the kitchen, crossed the living room, opened the front door, and was gone.

We can’t agree on what it was she’d started cooking. She says it was a stew and nothing that would burn quick, but although my own memory is childhood-fuzzy, I remember it being a pot of moro—the rice and beans definitely something that would soak up water. ’Buela says she just stepped out onto the stoop to clear her head, and when she came back ten minutes later I had pulled the step stool to the stove, had a bunch of spices on the counter, and had my small arm halfway into the pot, stirring.

It goes without saying: She. Had A. Fit. Thought I had been about to burn myself, dinner, or worse, the house. (’Buela would argue that’s not the right order of things, and I know she would have definitely been upset if I hurt myself, but if I burned the house? Girl, there’s no coming back from that.) All that to say, nothing charred. In fact, when ’Buela tasted it (whatever “it” was) she says it was the best thing she’d ever eaten. How it made her whole day better, sweeter. Says a memory of Puerto Rico she hadn’t thought about in years reached out like an island hammock and cradled her close. When she tells the story, it’s always a different simile, but still sweet like that. All I know is she cried into her plate that night. And so at the age of four, I learned someone could cry from a happy memory.

Ever since then ’Buela is convinced I have magical hands when it comes to cooking. And I don’t know if I really have something special, or if her telling me I got something special has brainwashed me into believing it, but I do know I’m happier in the kitchen than anywhere else in the world. It’s the one place I let go and only need to focus on the basics: taste, smell, texture, fusion, beauty.

And something special does happen when I’m cooking. It’s like I can imagine a dish in my head and I just know that if I tweak this or mess with that, if I give it my special brand of sazón, I’ll have made a dish that never existed before. Angelica thinks it’s because we live in the hood, so we never have exactly the right ingredients—we gotta innovate, baby. My aunt Sarah says it’s in our blood, an innate need to tell a story through food. ’Buela says it’s definitely a blessing, magic. That my food doesn’t just taste good, it is good—straight up bottled goodness that warms you and makes you feel better about your life. I think I just know that this herb with that veggie with that meat plus a dash of eso ahí will work.

And that if everything else goes wrong, a little squeeze of lime and a bottle of hot sauce ain’t never hurt nobody.